악보 $26.82

원본

Ernesto Nazareth Guitar Solo Anthology. Sheet Music. Guitar. GTR.

번역

에르네스토 나사렛 기타 솔로 선집. 악보. 기타. GTR.

원본

A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth’s themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. both are so closely together. that is one of the strongest characteristics of his pianistic style of composition. that it becomes almost impossible to treat one of the features disregarding the other. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth’s compositions. We obviously had to do some changes. Thus, for instance, in some arrangements it was necessary to transpose the original key to a more appropriate one. at the guitar view-point, of course. Some phrases or fragments had also to be written an octave higher or lower. that can be perfectly understandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it. Needless to say that all those recourses were used only when it has been strictly necessary. Despite the fact that those 28 pieces are only a little portion of Nazareth’s work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth’s greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Resedá", etc. as well as other not so known compositions– but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – specially – rhythmic versatility. Each of them has its own and unmistakable personality. The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros. , Brazilian tangos. , but there are also some polcas and some of his most expressive valsas, like "Confidências" and "Coração que Sente".

번역

전문적으로 클래식 기타 솔로를위한 전사 28 에르네스토 나사렛 조성물의 컬렉션. One of the major difficulties in trying to arrange Ernesto Nazareth’s themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. 둘 다 너무 밀접하게 함께합니다. 그 구성의 그의 피아니스트 스타일의 강력한 특성 중 하나입니다. 그것은 다른 무시 기능 중 하나를 치료하는데 거의 불가능한지는. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. 그 생각은이 책의 결정에 우리를 안내했다. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth’s compositions. 우리는 분명히 몇 가지 변경을해야했다. 따라서, 예를 들어, 약간의 조치로는 더 적합한 하나 원래 키 트랜스 필요가 있었다. 기타 뷰 시점에서, 물론. 일부 문구 또는 조각은 한 옥타브가 높거나 낮은 기록 될했다. 우리는 피아노의 선율 매우 넓은 범위와 나사렛가 사용되는 다양한 방법을 고려하는 경우에 그 완벽하게 이해할 수 있습니다. 그것이 꼭 필요한되었을 때 모든 사람들 recourses 만 사용 된 말할 필요도없이. Despite the fact that those 28 pieces are only a little portion of Nazareth’s work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth’s greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Resedá", etc. as well as other not so known compositions– but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – specially – rhythmic versatility. 그들 각각은 자신과 틀림없는 성격을 갖고있다. The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros. , Brazilian tangos. , but there are also some polcas and some of his most expressive valsas, like "Confidências" and "Coração que Sente".