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원본

Erik Satie. Avant-dernières Pensées. Urtext. Sheet Music. Piano. PF. Erik Satie.

번역

에릭 사티. 전 - 마지막 생각. Urtext. 악보. 계획. PF. 에릭 사티.

원본

In a typically humorous manner Satie countered the myth of the great master’s “last thought” with his “Next-to-last thoughts”. Avant-dernières Pensées. As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimsical story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his “Next-to-last thoughts” to prominent contemporaries. Claude Debussy. for no. 1 “Idylle”. , with whom he was close friends, Paul Dukas. no. 2 “Aubade”, in English “Dawn serenade”. , whose music he greatly admired, and Albert Roussel. no. 3 “Méditation”. , his former teacher of counterpoint at the Schola Cantorum in Paris.

번역

In a typically humorous manner Satie countered the myth of the great master’s “last thought” with his “Next-to-last thoughts”. 전 - 마지막 생각. As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimsical story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his “Next-to-last thoughts” to prominent contemporaries. 클로드 드뷔시. for no. 1 “Idylle”. , with whom he was close friends, Paul Dukas. 아니. 2 “Aubade”, in English “Dawn serenade”. , whose music he greatly admired, and Albert Roussel. 아니. 3 “Méditation”. , his former teacher of counterpoint at the Schola Cantorum in Paris.