악보 $71.13

원본

Pelle Gudmundsen-Holmgreen. Incontri. Score. Sheet Music. Orchestra. ORCH. Pelle Gudmundsen-Holmgreen.

번역

펠레 Gudmundsen-Holmgreen. 데이트. 점수. 악보. 오케스트라. ORCH. 펠레 Gudmundsen-Holmgreen.

원본

For Orchestra. Score. Commissioned by The Danish National Symhony Orchestra. DR.. Orchestration. 3 Flutes, 3rd dbl. Piccolo. 3 Oboes, 3rd dbl. Cor Anglais. 3 Clarinets in Bb, 3rd dbl. Bass Clarinet in Bb. 3 Bassoons, 3rd dbl. Contra Bassoon. 4 Horns in F. 3 Trumpets in C. 3 Trombones. 1 Tuba. 2 Percussion. 2 players. Timpani. Strings. The Score is written in C. Preface. Programme Note. INCONTRI is a kind of orchestral prelude presenting some of the orchestra’s timbral. possibilities. The timbres of the instrument groups emerge either clear on their own. or in various blends. There are no doublings between the three main groups – winds,. strings and percussion – each group maintains its own individual character, even. during the encounters. as in a forest where different kinds of birds continue their. territorial song without yielding or altering their signals. The joint musical project is not unlike a Baroque concerto grosso, not only in the. way the form plays the groups off against each other, but also in the musical language. itself. I have previously written a concerto grosso which I called ”Jungle Baroque” because. of its savage and wild sounds. The same thing can be said about INCONTRI – by. degrees. Pelle Gudmundsen-Holmgreen.

번역

오케스트라를위한. 점수. Commissioned by The Danish National Symhony Orchestra. DR.. 오케스트레이션. 3 플루트, 3 DBL. 작은. 3 Oboes, 3rd dbl. 고전 글레. 3 Clarinets in Bb, 3rd dbl. Bass Clarinet in Bb. 3 Bassoons, 3rd dbl. 콘트라 바순. 4 Horns in F. 3 Trumpets in C. 3 Trombones. 1 튜바. 2 타악기. 2 플레이어. 팀파니. 문자열. The Score is written in C. 머리말. 프로그램의 주. INCONTRI is a kind of orchestral prelude presenting some of the orchestra’s timbral. 가능성. The timbres of the instrument groups emerge either clear on their own. or in various blends. There are no doublings between the three main groups – winds,. strings and percussion – each group maintains its own individual character, even. during the encounters. as in a forest where different kinds of birds continue their. territorial song without yielding or altering their signals. The joint musical project is not unlike a Baroque concerto grosso, not only in the. way the form plays the groups off against each other, but also in the musical language. itself. I have previously written a concerto grosso which I called ”Jungle Baroque” because. of its savage and wild sounds. 같은 일이 INCONTRI에 대해 말할 수있다 -에 의해. 도. 펠레 Gudmundsen-Holmgreen.