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원본

Peter Maxwell Davies. Job. Study Score. Sheet Music. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. BARITONE. SATB. ORCH. Peter Maxwell Davies.

번역

피터 맥스웰 데이비스. 일. 연구 점수. 악보. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. 바리톤. SATB. ORCH. 피터 맥스웰 데이비스.

원본

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprano. , Linda Maguire. mezzo soprano. , Paul Moore. tenor. and Kevin McMillan. baritone. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Like Vaughan Williams in his Job. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages. there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job..

번역

10 개 이상의 사본을 주문하는 경우, (44)에 전화 주시기 바랍니다. 1284 725725 가능 여부를 확인. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. 소프라노. 린다 맥과이어. 메조 소프라노. 폴 무어. 테너. 케빈 맥밀런. 바리톤. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. 그의 작업에서 본입 윌리엄스처럼. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. 다른 솔로이스트 가끔 그의 항변과 합창 같은 에피소드가 자신의 처지를 보편화 강화하지만 바리톤는 설정의 사자의 점유율을 가지고. 데이비스는 두 개의 정액 plainsong 같은 구절 작업을 프레임. 극적인 대비 많이 욥의 독백 내에서 매끈한 이불의 생생한 오케스트라 서면 모두도있다, 마지막으로 눈부신 오케스트라 회오리 바람과 그가 겸손에 창조의 기적을 설명하기 위해 사용하는 동물의 생활에서 나타나는 초기에 날카로운 하나님 작업..