악보 $7.88

원본

Palestrina. Assumpta Est Maria - Motet. Davison. SSATTB. Sheet Music. Choral. CHOR. Giovanni Palestrina.

번역

팔레스트리나. 아 슘타 추정 마리아 - 모테트. 데이비슨. SSATTB. 악보. 합창. CHOIR. 조반니 팔레스트리나.

원본

Palestrina is one of the towering figures of late Renaissance church music whose polyphonic compositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one, Assumpta Est Maria for the Feast of the Assumption, is of particular interest. In 1545, the Council of Trent set out to reform various practices in the Roman Catholic Church in defense of the threats of the new Protestant movement. Clarity of scriptural words was one of the issues at stake, especially as the polyphonic style, of which Palestrina was a master, overlaid many Vocal lines, creating complex textures. It is debated whether this motet, with a newfound clarity of language, was written in response to the Council of Trent, or if it predated the Counterreformation and sprung with its innovations entirely from Palestrina’s own fertile creativity. This edition was prepared from the Vatican choirbook contemporary with the composer’s life. It is scored for Cantus I and II, Alto, Tenor I and II and Bass with rehearsal Piano accompaniment.

번역

팔레스트리나 화음 조성 적극적으로 합창 레퍼토리에서 수행 상태를 유지 후반 르네상스 교회 음악의 우뚝 솟은 인물 중 하나입니다. 그는 250 개 이상의 모테트를 구성. This one, Assumpta Est Maria for the Feast of the Assumption, is of particular interest. 1545 년 트렌트 공의회는 새로운 개신교 운동의 위협을 방어 로마 카톨릭 교회의 다양한 사례를 개혁 착수. 성경 단어의 선명도는 복잡한 텍스처를 만들어, 많은 보컬 라인을 겹쳐 특히 팔레스트리나 마스터했다있는 화음 스타일로 걸려있는 문제 중 하나였다. It is debated whether this motet, with a newfound clarity of language, was written in response to the Council of Trent, or if it predated the Counterreformation and sprung with its innovations entirely from Palestrina’s own fertile creativity. This edition was prepared from the Vatican choirbook contemporary with the composer’s life. It is scored for Cantus I and II, Alto, Tenor I and II and Bass with rehearsal Piano accompaniment.