악보 $18.86

원본

John Tavener. Popule Meus - a Meditation. Sheet Music. Cello. Timpani. String Ensemble. VLC. TIMP. STR ENS. John Tavener.

번역

John Tavener. Popule Meus - 명상. 악보. 첼로. 팀파니. 스트링 앙상블. VLC. TIMP. STR ENS. John Tavener.

원본

For solo Cello, Timpani, and Strings. Popule Meus was commissioned through the Magnum Opus project. Kathryn Gould, founding patron and commissioner, and Meet the Composer, project manager. It was first performed on 6th February 2010, by Yuri Hooker. cello. and the Winnipeg Symphony Orchestra conducted by Alexander Micklethwate. Composer's Notes. "Popule Meus is a meditation on the Judaic and Christian text “O my People, what have I done to you. ”, but itis also a Universalist contemplation of the wholesale rejection of God by modern man. However much manrejects God, he cannot escape Him, and indeed he is condemned to the supernatural by his deiform nature. InHindu terms he is the Absolute – Ayam Atma Brahma. The Self is the Absolute. In this work the solo cello is the All-Compassionate One, while the timpani represent man in his vain andpointless rejection. Although the solo cello and strings, and the timpani, share the same material. four ideas aregradually revealed, and they revolve four times during the piece. , the timpani music is violent and becomesincreasingly frenzied and contracted, while the cello and strings remain still and serene. So even in winning, the Darkness loses, and even in losing the Light wins. Passion, Resurrection andRedemption. or in Hindu terms Atma. The Absolute. alone is real, Maya. The Relative. is merely illusion.

번역

솔로 첼로, 팀파니, 그리고 문자열. Popule Meus는 매그넘 오푸스 프로젝트를 통해 의뢰. 캐서린 굴드, 창립 후원자 및 감독관과 만나 작곡가, 프로젝트 매니저. 그것은 처음으로 유리 후커에 의해, 2010년 2월 6일 실시 하였다. 첼로. 그리고 위니펙 심포니 오케스트라 알렉산더 Micklethwate 실시. 작곡가의주의 사항. "Popule Meus은 유대교와 기독교 텍스트에 대한 명상은"내 사람 O, 어떻게 내가 당신에게 행한. ”, but itis also a Universalist contemplation of the wholesale rejection of God by modern man. However much manrejects God, he cannot escape Him, and indeed he is condemned to the supernatural by his deiform nature. InHindu terms he is the Absolute – Ayam Atma Brahma. 자기는 절대입니다. In this work the solo cello is the All-Compassionate One, while the timpani represent man in his vain andpointless rejection. 솔로 첼로 문자열 및 팀파니하지만, 같은 소재를 공유. four ideas aregradually revealed, and they revolve four times during the piece. , the timpani music is violent and becomesincreasingly frenzied and contracted, while the cello and strings remain still and serene. 그래서 심지어 우승에, 어둠 잃고, 심지어 빛이 승리 손실에. Passion, Resurrection andRedemption. 또는 힌두교 측면에서 뒤에 Atma. 절대. 혼자, 마야 진짜. 상대. 단지 환상.