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원본

Fantasia in G minor and Fuga in G major, Sonata Movement. Grave and Presto. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42. Wolfgang Amadeus Mozart. Piano sheet music.

번역

G 장조, 소나타 운동에 G 단조 환상곡과 푸가. 무덤과 프레스토. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42. 볼프강 아마데우스 모차르트. 피아노 악보.

원본

Fantasia in G minor and Fuga in G major, Sonata Movement. Grave and Presto. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42 composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Michael Topel. Arranged by Michael Topel. For 2 pianos. This edition. 2nd printing 2011 edition. Stapled. Performance score. Language. German. English. KV Anh. 32, KV Anh. 45, KV Anh. 42. 33 pages. Published by Baerenreiter Verlag. BA.BA9638. ISBN 9790006539611. With Language. German. English. 31 x 24.3 cm inches. Of Mozart's many fragmentary works, it is the Requiem which stands out, but there are many other fragments in his large compositional output which can ideally be used as a basis for a completion. In the case of these two completions for two pianos, the editor has drawn on thematically suitable fragments from Mozart's piano solo repertoire and has arranged them for two pianos. In this way completions are achieved which are based solely on authentic material. The result of this creative exercise is two new, highly effective concert works for two pianos, offering a valuable addition to Mozart's two existing works for this combination. The editor took Abbe Maximilian Stadler's sensitive completion of Mozart's fragmentary Larghetto and Allegro in E-flat major for two pianos. K. deest. as a model for his completion.

번역

G 장조, 소나타 운동에 G 단조 환상곡과 푸가. 무덤과 프레스토. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42 composed by Wolfgang Amadeus Mozart. 1756년부터 1791년까지. 마이클 Topel에 의해 수정 됨. 마이클 Topel로 정렬. 이 피아노. 이 판. 2 인쇄 2011 년 판. 스테이플. 성능 점수. 언어. 독일의. 영어. KV Anh. 32, KV Anh. 45, KV Anh. 42. 33 페이지. Baerenreiter 출판사에 의해 출판. BA.BA9638. ISBN 9790006539611. 언어와. 독일의. 영어. 31 X 24.3 cm 인치. Of Mozart's many fragmentary works, it is the Requiem which stands out, but there are many other fragments in his large compositional output which can ideally be used as a basis for a completion. In the case of these two completions for two pianos, the editor has drawn on thematically suitable fragments from Mozart's piano solo repertoire and has arranged them for two pianos. In this way completions are achieved which are based solely on authentic material. The result of this creative exercise is two new, highly effective concert works for two pianos, offering a valuable addition to Mozart's two existing works for this combination. The editor took Abbe Maximilian Stadler's sensitive completion of Mozart's fragmentary Larghetto and Allegro in E-flat major for two pianos. K. deest. as a model for his completion.