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원본

Nocturne et Rondo op. 71. Kurt Hessenberg. Horn sheet music. Piano Accompaniment sheet music.

번역

녹턴과 론도 영업 이익. 71. 커트 하센. 혼 악보. 피아노 반주 악보.

원본

Nocturne et Rondo op. 71. 4 composed by Kurt Hessenberg. For horn in F and piano. This edition. COR 20. Saddle-stitch. Brass. Wind Music. Il Corno. Grade 3-4. 16 pages. Duration 6 minutes, 30 seconds. Published by Schott Music. SD.49018929. ISBN 9790001170314. Even though the Frankfurt composer Kurt Hessenberg. 1908-1994. made a lasting impression, especially by his sacred choral music his career as a composer began with piano, chamber and orchestral music. All his life Hessenberg remained faithful to these genres. Between 1958 and 1963 he wrote five miniatures which he put together into Opus 71 and in which he let the five instruments of a wind quintet have their 'say' separately and with piano accompaniment. flute, oboe, clarinet, horn and bassoon. In 1962. 63 the composer wrote a solo piece for the horn, 'Nocturne et Rondo', as Op. 71 No. 5. The work starts with an expressive and evocative nocturne before the rondo boldly begins, providing the solo instruments with an enjoyable and funny part, with expressive intermediate sections and a brilliant final 'caccia' section, while the horn and piano try to outdo each other at playing. Written in an extended tonality, as is typical of Hessenberg, this moderately modern 'Nocture et rondo' is an effective piece for both music lessons and concerts.

번역

녹턴과 론도 영업 이익. 71. 4 composed by Kurt Hessenberg. F와 피아노의 혼에 대한. 이 판. COR 20. 중철. 놋쇠. 바람 음악. 혼. 3-4 등급. 16 페이지. 시간 육분 30 초. 이 SCHOTT 음악에 의해 게시. SD.49018929. ISBN 9790001170314. 심지어 프랑크푸르트 작곡가 커트 하센하지만. 1908-1994. made a lasting impression, especially by his sacred choral music his career as a composer began with piano, chamber and orchestral music. 그의 모든 생활 하센은 장르에 충실. 1958과 1963 년 사이에 그는 오푸스 (71)에 함께 넣고있는 그는 바람 중주의 다섯 악기가 별도로 피아노 반주에 '말'하자 다섯 모형을 썼다. 플루트, 오보에, 클라리넷, 호른과 바순. In 1962. 63 the composer wrote a solo piece for the horn, 'Nocturne et Rondo', as Op. 71 No. 5. The work starts with an expressive and evocative nocturne before the rondo boldly begins, providing the solo instruments with an enjoyable and funny part, with expressive intermediate sections and a brilliant final 'caccia' section, while the horn and piano try to outdo each other at playing. Written in an extended tonality, as is typical of Hessenberg, this moderately modern 'Nocture et rondo' is an effective piece for both music lessons and concerts.