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원본

Streichquartett No. 4. Bohuslav Martinu. Cello sheet music. Viola sheet music. Violin sheet music.

번역

문자열 중주 번호 4. Bohuslav Martinu. 첼로 악보. 비올라 악보. 바이올린 악보.

원본

Streichquartett No. 4 composed by Bohuslav Martinu. 1890-1959. Arranged by Ivan Straus. Ales Brezina. For string quartet. 2 violins, viola, cello. Chamber music. Czech title. Smy covy kvartet 4. Classical. Study score. Publication language. Czech. German. English. French. No. 4. Published by Editio Baerenreiter Praha. PA.H7844. ISBN 9790260100763. With Publication language. Czech. German. English. French. Classical. 22.5 x 16.7 cm inches. String Quartet No. 4 by Bohuslav Martinu. 1890-1959. originated in 1937 in Paris where it was also premiered in a private performance one year later. Due to the composer's emigration to the U.S.A. and the post-war political development in Czechoslovakia, the piece remained for many years in oblivion in the archive of the Puc family to whom Martinu dedicated it. It was re-discovered as late as in 1956 by Martinu's friend and a keen promoter of his work Milos Safranek. Four years later the quartet was performed in public by the Novak Quartet in a concert in Germany. The main sources for the presented practical edition of this neo-classicistic composition, in which Martinu typically combined French moderateness with Czech melodiousness, were the autograph and the 1963 edition by SHV, thoroughly freed of all the unwanted previous editorial revisions.

번역

보후 슬라 프 마르티 누로 구성 Streichquartett 4 호. 1890-1959. 이반 스트라우스에 의해 정렬. 에일 브레지나. 현악 사중주를위한. 2 바이올린, 비올라, 첼로. 실내악. 체코어 제목. SMY의 covy의 kvartet 4. 고전. 연구 점수. 출판 언어. 체코의. 독일의. 영어. 프랑스의. 제 4 호. Editio Baerenreiter 프라하에 의해 게시. PA.H7844. ISBN 9790260100763. 공개 언어로. 체코의. 독일의. 영어. 프랑스의. 고전. 22.5 X 16.7 cm 인치. String Quartet No. 4 by Bohuslav Martinu. 1890-1959. originated in 1937 in Paris where it was also premiered in a private performance one year later. Due to the composer's emigration to the U.S.A. and the post-war political development in Czechoslovakia, the piece remained for many years in oblivion in the archive of the Puc family to whom Martinu dedicated it. It was re-discovered as late as in 1956 by Martinu's friend and a keen promoter of his work Milos Safranek. Four years later the quartet was performed in public by the Novak Quartet in a concert in Germany. The main sources for the presented practical edition of this neo-classicistic composition, in which Martinu typically combined French moderateness with Czech melodiousness, were the autograph and the 1963 edition by SHV, thoroughly freed of all the unwanted previous editorial revisions.