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원본

Consolations. Franz Liszt. Piano Solo sheet music.

번역

위로의. 프란츠리스트. 피아노 솔로 악보.

원본

Consolations composed by Franz Liszt. 1811-1886. For piano. 23 pages. Wiener Urtext. Vienna Urtext #UT050165. Published by Wiener Urtext. Vienna Urtext. PR.UT050165. ISBN 979-0-50057-135-3. The Consolations are among the best-known piano works by Franz Liszt. Their popularity is due not only to their expressive and lyrical character but also to their relatively moderate pianistic demands. Having a long history, the final version of the six pieces appeared in print for the first time in 1850. The Wiener Urtext Edition provides this version authorized by Liszt for publication, the text of which is mainly based on the German first edition owing to the lack of extant autographs and engraver's copies. In addition, the French first edition as well as separate editions of the Consolations Nos. 3 and 5 published in London or Paris were consulted as well. The edition is complemented by performance notes of the Liszt pupil Lina Ramann which are virtually first-hand records of Liszt's interpretational ideas. Furthermore, a clear engraving without page-turn problems makes it easier to study and perform the popular works.

번역

프란츠리스트에 의해 구성 위로의. 1811년부터 1886년까지. 피아노를위한. 23 페이지. 소시지 Urtext. Vienna Urtext #UT050165. 소시지 Urtext에 의해 게시. 비엔나 Urtext. PR.UT050165. ISBN 979-0-50057-135-3. The Consolations are among the best-known piano works by Franz Liszt. Their popularity is due not only to their expressive and lyrical character but also to their relatively moderate pianistic demands. Having a long history, the final version of the six pieces appeared in print for the first time in 1850. The Wiener Urtext Edition provides this version authorized by Liszt for publication, the text of which is mainly based on the German first edition owing to the lack of extant autographs and engraver's copies. In addition, the French first edition as well as separate editions of the Consolations Nos. 3 and 5 published in London or Paris were consulted as well. The edition is complemented by performance notes of the Liszt pupil Lina Ramann which are virtually first-hand records of Liszt's interpretational ideas. Furthermore, a clear engraving without page-turn problems makes it easier to study and perform the popular works.