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원본

Venite exultemus Domino. Benjamin Britten. Choir sheet music.

번역

Venite exultemus 도미노. 벤자민 브리튼. 성가대 악보.

원본

Venite exultemus Domino. 1961. SATB and Organ. Composed by Benjamin Britten. 1913-1976. Choral. 12 pages. Chester Music #CH76571. Published by Chester Music. HL.14037804. ISBN 1849387036. 6.75x9.75 inches. Text. Psalm 95. Book of Common Prayer. Morning Prayer. Publisher. Chester Music. Difficulty level. 1-2. This work was not published in Britten's lifetime but it was obviously intended as a companion work to the Jubilate in C as it was written in the same year. It wasnt performed until 1983 when it was given its premiere in Westminster Abbey under Simon Preston. The choir sings chant-like phrases almost in the manner of Anglican chant. The organ joins the end of a phrase and modulates where it will from where the choir picks up and travels to a further place. The phrases are varied dynamically but the greatest colour is given via the medium of key change. It is a curiously effective piece. Time is almost suspended, and once the listener has got over the surprise at its means and has settled into focusing on the words, the music takes on a life of its own. The gentle Gloria is especially effective. Duration. 6 minutes. Paul Spicer, Lichfield, 2011.

번역

Venite exultemus 도미노. 1961. SATB와 기관. 벤자민 브리튼 작곡. 1913년부터 1976년까지. 합창. 12 페이지. Chester Music #CH76571. 체스터 음악에 의해 게시. HL.14037804. ISBN 1849387036. 6.75x9.75 인치. 원본. 시편 95. 일반적인기도의 책. 아침기도. 발행자. 체스터 음악. 난이도. 1-2. This work was not published in Britten's lifetime but it was obviously intended as a companion work to the Jubilate in C as it was written in the same year. It wasnt performed until 1983 when it was given its premiere in Westminster Abbey under Simon Preston. The choir sings chant-like phrases almost in the manner of Anglican chant. The organ joins the end of a phrase and modulates where it will from where the choir picks up and travels to a further place. The phrases are varied dynamically but the greatest colour is given via the medium of key change. It is a curiously effective piece. Time is almost suspended, and once the listener has got over the surprise at its means and has settled into focusing on the words, the music takes on a life of its own. The gentle Gloria is especially effective. 지속. 육분. 폴 스파이 서, 리치 필드, 2011.