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Complete Jazz Guitar Method. Jody Fisher. Electric Guitar sheet music. Advanced.

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완벽한 재즈 기타 방법. 조디 피셔. 일렉트릭 기타 악보. 고급.

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Complete Jazz Guitar Method. Mastering Jazz Guitar. Composed by Jody Fisher. For Guitar. This edition. Standard Notation Only. Book. CD. Guitar Method or Supplement. Method. Instruction. Technique Musicianship. Complete Method. Jazz. Advanced. 96 pages. Published by Alfred Music. AP.40647. ISBN 0739094432. Jazz. Mastering Jazz Guitar---now available in standard notation only. no TAB. ---is ideal for the serious student ready to take their playing to the next level. Expand the boundaries of your jazz guitar knowledge by learning chord. melody and improvisation skills with this exciting book---which picks up where the harmony and improvisation lessons in Intermediate Jazz Guitar leave off. In the chord-melody section, you will learn to play the harmony, melody, rhythm, and bass parts of any song simultaneously. Topics include integrating melody and harmony, developing bass lines, chord enhancement, quartal harmonies, and how to compose a guitar solo. Improvisation topics include playing over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales, and more. Loaded with easy-to-read scale diagrams, sample phrases, and arrangements of traditional melodies, this book is packed with essential information for jazz guitarists looking to master their craft. About the Author. Introduction. CHAPTER 1 -- RIGHT HAND OPTIONS. Pick Style. Fingerstyle Chords. Pick and Fingers Technique. CHAPTER 2 --COMBINING MELODY AND HARMONY. Lesson 1. Recognizing Chord Tones. Lesson 2. Guidelines for Arranging. Lesson 3. Chord Enhancement. Home on the Range. CHAPTER 3 -- TECHNIQUES FOR HARMONIZING NON-CHORD TONES. Lesson 1. Diads. Blue Bell Of Scotland. Lesson 2. Adding the Non-Chord Tone. Beautiful Dreamer. Lesson 3. Voice Leading. Lesson 4. Passing Chords. Virginny. Blues in G. Diminished Chords. mi7 flat 5. Half-Diminished. Chords. Blues In F. Lesson 5. Quartal Harmony. Single Notes. Octaves. CHAPTER 4 --ENHANCING CHORD PROGRESSIONS. Lesson 1. Passing-Chord Approaches. Lesson 2. The IV-I Approach. Lesson 3. The V7-I Approach. Lesson 4. The ii-V7-I Approach. Rum and Coke. Lesson 5. Backcycling Approaches. Lesson 6. Tritone Substitution Approach. Lesson 7. The Flat V7-I Approach. Lesson 8. The ii-V7-I and Alternate Cycles. Lesson 9. Surprise Chords. CHAPTER 5 -- SIMULTANEOUS CHORDS AND WALKING BASS LINES. Lesson 1. The Basic Voicings. Lesson 2. Bass Lines---Scalewise Approach. Lesson 3. Bass Lines---Half-Step Approaches. Lesson 4. Bass Lines---Rhythm. Lesson 5. Bass Lines ii-V7-I Patterns. Everything You're Not. Lesson 6. Bass Lines---Combining Techniques. Accompaniment for Everything You're Not. CHAPTER 6 -- SEARCHING OUT NEW VOICINGS. Lesson 1. Moving Voices. Lesson 2. Symmetrical Chord Movement. Coda 1---A Medley of Suggestions and Musical Concepts for Chord-Melody Playing. Creating Arrangements. Listening to the Greats. Reality Check. Byesville. CHAPTER 7 -- IMPROVISING OVER ALTERED DOMINANT CHORDS. Lesson 1. The Diminished Scale. Train. Lesson 2. The Whole Tone Scale. Once. Lesson 3. The Super Locrian Mode. Diminished Whole Tone Scale. Moon. Lesson 4. Using the Altered Scale Over a ii-V7-I Progression. Lesson 5. Targeting the Altered Chords---The Altered Clusters. Lesson 6. Revamping Licks. CHAPTER 8 - THE MINOR SCALES AND THEIR MODES. Lesson 1. The Melodic Minor Scale. Lesson 2. The Modes of the Melodic Minor Scale. Lesson 3. Arpeggios in the Melodic Minor Scale. Lesson 4. The Harmonic Minor Scale. Lesson 5. The Modes of the Harmonic Minor Scale. Lesson 6. Arpeggios in the Harmonic Minor Scale. Lesson 7. The ii mi7 Flat 5-V7 Flat 9-i mi7 Progression. CHAPTER 9 -- USING ARPEGGIOS. Lesson 1. Chord Superimposition. Lesson 2. Melodic Patterns Based Around Arpeggios. Lesson 3. Melodic Patterns Based Around Chord Shapes. CHAPTER 10 -- EIGHT-TONE SCALES. The Eight-Tone ii-V7 Scale. The Eight-Tone I Scale. CHAPTER 11 -- CONNECTING YOUR IDEAS. Lesson 1. The Chromatic Connection. Lesson 2. Accentuating the Difference Between Keys. Lesson 3. Repeating an Idea in Different Octaves. Lesson 4. Rhythmic Motives. Lesson 5. Melodic Connection. Lesson 6. Diatonic Connection. Coda 2---A Medley of Suggestions and Musical Concepts for Improvisation. Playing on the Extensions Using Advanced Pentatonics. Playing on the Extensions Using Tones from 13 Chords. Playing with Wider Intervals. Octave Displacement. Symmetrical Motives. Conclusion.

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완벽한 재즈 기타 방법. Mastering Jazz Guitar. 조디 피셔에 의해 구성. 기타를위한. 이 판. 표준 표기법 만. 책. CD. 기타 방법 또는 보충. 방법. 명령. 기술의 음악성. 완벽한 방법. 재즈. 고급. 96 페이지. 알프레드 음악에 의해 게시. AP.40647. ISBN 0739094432. 재즈. Mastering Jazz Guitar---now available in standard notation only. 더 TAB 없습니다. ---is ideal for the serious student ready to take their playing to the next level. Expand the boundaries of your jazz guitar knowledge by learning chord. melody and improvisation skills with this exciting book---which picks up where the harmony and improvisation lessons in Intermediate Jazz Guitar leave off. In the chord-melody section, you will learn to play the harmony, melody, rhythm, and bass parts of any song simultaneously. Topics include integrating melody and harmony, developing bass lines, chord enhancement, quartal harmonies, and how to compose a guitar solo. Improvisation topics include playing over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales, and more. Loaded with easy-to-read scale diagrams, sample phrases, and arrangements of traditional melodies, this book is packed with essential information for jazz guitarists looking to master their craft. 저자에 관하여. 소개. CHAPTER 1 -- RIGHT HAND OPTIONS. 스타일 선택. 핑거 스타일 화음. 기술을 선택하고 손가락. CHAPTER 2 --COMBINING MELODY AND HARMONY. 제 1과. Recognizing Chord Tones. 레슨 2. Guidelines for Arranging. 제 3과. Chord Enhancement. 범위에 홈. CHAPTER 3 -- TECHNIQUES FOR HARMONIZING NON-CHORD TONES. 제 1과. Diads. 스코틀랜드의 블루 벨. 레슨 2. Adding the Non-Chord Tone. 아름다운 몽상가. 제 3과. 음성 선도. 제 4 장. 화음 전달. Virginny. G 블루스. 감소 된 화음. mi7 flat 5. 하프 감소 된. 화음. F 블루스. 제 5. Quartal 하모니. Single Notes. 옥타브. CHAPTER 4 --ENHANCING CHORD PROGRESSIONS. 제 1과. Passing-Chord Approaches. 레슨 2. The IV-I Approach. 제 3과. The V7-I Approach. 제 4 장. The ii-V7-I Approach. Rum and Coke. 제 5. Backcycling Approaches. 제 6. Tritone Substitution Approach. 7 장. The Flat V7-I Approach. 8 장. The ii-V7-I and Alternate Cycles. 9 장. Surprise Chords. CHAPTER 5 -- SIMULTANEOUS CHORDS AND WALKING BASS LINES. 제 1과. The Basic Voicings. 레슨 2. Bass Lines---Scalewise Approach. 제 3과. Bass Lines---Half-Step Approaches. 제 4 장. Bass Lines---Rhythm. 제 5. Bass Lines ii-V7-I Patterns. 당신이하지 않은 모든. 제 6. Bass Lines---Combining Techniques. Accompaniment for Everything You're Not. CHAPTER 6 -- SEARCHING OUT NEW VOICINGS. 제 1과. 이동의 목소리. 레슨 2. Symmetrical Chord Movement. Coda 1---A Medley of Suggestions and Musical Concepts for Chord-Melody Playing. Creating Arrangements. 명곡을 듣고. Reality Check. Byesville. CHAPTER 7 -- IMPROVISING OVER ALTERED DOMINANT CHORDS. 제 1과. 감소 규모. 기차. 레슨 2. The Whole Tone Scale. 한 번. 제 3과. The Super Locrian Mode. Diminished Whole Tone Scale. 달. 제 4 장. Using the Altered Scale Over a ii-V7-I Progression. 제 5. Targeting the Altered Chords---The Altered Clusters. 제 6. Revamping Licks. CHAPTER 8 - THE MINOR SCALES AND THEIR MODES. 제 1과. 가락 단음계. 레슨 2. The Modes of the Melodic Minor Scale. 제 3과. Arpeggios in the Melodic Minor Scale. 제 4 장. The Harmonic Minor Scale. 제 5. The Modes of the Harmonic Minor Scale. 제 6. Arpeggios in the Harmonic Minor Scale. 7 장. The ii mi7 Flat 5-V7 Flat 9-i mi7 Progression. CHAPTER 9 -- USING ARPEGGIOS. 제 1과. 화음 중첩. 레슨 2. Melodic Patterns Based Around Arpeggios. 제 3과. Melodic Patterns Based Around Chord Shapes. CHAPTER 10 -- EIGHT-TONE SCALES. The Eight-Tone ii-V7 Scale. The Eight-Tone I Scale. CHAPTER 11 -- CONNECTING YOUR IDEAS. 제 1과. The Chromatic Connection. 레슨 2. Accentuating the Difference Between Keys. 제 3과. Repeating an Idea in Different Octaves. 제 4 장. Rhythmic Motives. 제 5. Melodic Connection. 제 6. Diatonic Connection. Coda 2---A Medley of Suggestions and Musical Concepts for Improvisation. Playing on the Extensions Using Advanced Pentatonics. Playing on the Extensions Using Tones from 13 Chords. Playing with Wider Intervals. Octave Displacement. Symmetrical Motives. 결론.