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Reminiscences. Hans-Martin Linde. Recorder sheet music.

번역

회고담. 한스 - 마틴 린드. 리코더 악보.

원본

Reminiscences. for Recorder Quartet. Composed by Hans-Martin Linde. 1930-. For Recorder Quartet. Originalmusik fur Blockflote. Recorder Library. Score and Parts. 43 pages. Schott Music #OFB202. Published by Schott Music. HL.49011310. Hans-Martin Linde. 1930. is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A. treble. B, uses musical themes from the 15th to 17th Centuries. from a “Prélude à l'imitation” by Froberger, a melody by Claudio Saraceni “Da te parto”, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles” by Binchois and a ground bass from Purcell's harpsichord collection “Musik's Handmaid”. The composer writes. “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.

번역

회고담. 레코더 중주를위한. 한스 - 마틴 린드로 구성. 1930 -. 레코더 중주를위한. Originalmusik 모피 Blockflote. 레코더 라이브러리. 점수 및 부품. 43 페이지. Schott Music #OFB202. 이 SCHOTT 음악에 의해 게시. HL.49011310. 한스 - 마틴 린드. 1930. is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A. 고음부. B, uses musical themes from the 15th to 17th Centuries. from a “Prélude à l'imitation” by Froberger, a melody by Claudio Saraceni “Da te parto”, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles” by Binchois and a ground bass from Purcell's harpsichord collection “Musik's Handmaid”. 작곡가 기록. “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.