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How to Voice Standards at the Piano. The Menu. Mark Levine. Voice sheet music. Piano Solo sheet music.

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어떻게 음성 표준에 피아노에. The Menu. 마크 레빈. 음성 악보. 피아노 솔로 악보.

원본

How to Voice Standards at the Piano. The Menu composed by Mark Levine. For piano. Jazz. Method book. 63 pages. Published by Sher Music Company. SR.HVS. At last. A simple, easy-to-learn method for playing the melodies of your favorite tunes, using hip voicings as played by Bill Evans, Herbie Hancock, McCoy Tyner, Kenny Barron, etc. Famed jazz pianist and author of "The Jazz Piano Book," Mark Levine has created "The Menu" — a succinct guide to learning a multitude of voicings so you can harmonize melodies on the spot. 'So What' chords, upper structures, 4th chords, etc. are not only good for 'comping,' but are also ideal for voicing melodies. For example, the note G in the melody on top of a D-7 chord is the 4th of the chord. Did you know that a 'stacked 3rd' voicing, as well as the 'Kenny Barron chord' would be perfect for that. This book explains all of that, so you can instantly play jazz songs with the best available voicings. Using two standards and a bebop melody as examples, Mark breaks each tune up into four-bar sections, then shows the best voicings to use on each chord and why those choices were made. These voicings are all drawn from a one-page 'Menu' that, once internalized, will allow you to spontaneously create your own style of playing jazz piano, based on the masters of the art form. 63 pages, including appendixes on "Drop 2" voicings and melodic minor harmony.

번역

어떻게 음성 표준에 피아노에. The Menu composed by Mark Levine. 피아노를위한. 재즈. 방법 책. 63 페이지. 쉐르 음악 출판사. SR.HVS. 마지막에. A simple, easy-to-learn method for playing the melodies of your favorite tunes, using hip voicings as played by Bill Evans, Herbie Hancock, McCoy Tyner, Kenny Barron, etc. Famed jazz pianist and author of "The Jazz Piano Book," Mark Levine has created "The Menu" — a succinct guide to learning a multitude of voicings so you can harmonize melodies on the spot. 'So What' chords, upper structures, 4th chords, etc. '콤포 지팅'하지 만 좋은뿐만 아니라 멜로디를 표명 이상적입니다. For example, the note G in the melody on top of a D-7 chord is the 4th of the chord. Did you know that a 'stacked 3rd' voicing, as well as the 'Kenny Barron chord' would be perfect for that. This book explains all of that, so you can instantly play jazz songs with the best available voicings. Using two standards and a bebop melody as examples, Mark breaks each tune up into four-bar sections, then shows the best voicings to use on each chord and why those choices were made. These voicings are all drawn from a one-page 'Menu' that, once internalized, will allow you to spontaneously create your own style of playing jazz piano, based on the masters of the art form. 드롭에 부록 2 보이싱과 멜로디 사소한 조화를 포함하여 63 페이지,.