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원본

Abun D'bash'maiyo. Choir sheet music. Advanced.

번역

Abun D'bash'maiyo. 성가대 악보. 고급.

원본

Abun D'bash'maiyo composed by Traditional Syriac Chant. Arranged by Mark D. Templeton. For Choir, SATB. 21st Century, Sacred, World, Folk. Advanced Intermediate. , , Sheet Music Single. Mark Templeton Choral Music #MTN002. Published by Mark Templeton Choral Music. S0.18978. Composed by Mark Templeton for SATB divisi chorus a cappella. Since the dawn of the first century, the text from the gospel of Matthew 6. 9-13, known as the Lordâs Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflà and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lordâs Prayer in their repertoire. Probably the most unheralded version comes from the Beth Gazo, a collection of liturgical chants and hymns of the Eastern Syriac Orthodox Church. The Beth Gazo. The Treasury of Chants. is the Eastern Churchâs equivalent of the Liber Usualis of the Roman rite. The roots of the collection can be traced as far back as the second century with Ephrem the Syriac contributing the bulk of the chants. It is supposed that thousands of chants existed in the original collection, but since they were only passed down through an oral tradition, only 700 or so have survived. Only in the late twentieth century have musicologists begun to preserve these in musical notation. The Abun dâbashâmaiyo. Our Father. is one such chant that has survived. When I set out to compose the Lordâs Prayer for my Compline, I wanted to try something different. I searched until I came across this version from the Peshitta text in Syriac, one of the dialects of old Aramaic. Historians and biblical scholars generally agree that Jesus would have spoken Aramaic. I thought it would be wonderful to compose something using the language, or near language, of Christ. I decided to use the actual chant from the Beth Gazo as my melody. The melody uses the Arabic maqam, Nahawand. نهØونØ. , which is basically a melodic minor scale found so prevalently in music from the Fertile Crescent. The chant is sung like a hymn with four verses repeating the same melody. The only words that are not traditionally used as part of the chant is the title, Abun dâbashâmaiyo. I set these words as a kind of intoning chant before each verse with the last intonation using the full divisi and power of the choir. This meditative and somewhat surreal setting is well suited for any sacred service or for a multi-cultural concert. Mark Templeton, born 1974, is an American choral composer, conductor, and countertenor. Templetonâs music has been performed across the world at various international festivals and ACDA conventions. Some of his music is published by Santa Barbara Music Publishing, and he has recently started to self-publish. He teaches and resides with his wife, Becca, at West Nottingham Academy in Colora, Maryland, the oldest boarding school in the United States. He also enjoys coaching, playing, and watching soccer when he is not working. He is available for commission upon request. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

번역

Abun D'bash'maiyo composed by Traditional Syriac Chant. 마크 D. 템플턴에 의해 정렬. For Choir, SATB. 21st Century, Sacred, World, Folk. 고급 중급. , 악보 싱글. Mark Templeton Choral Music #MTN002. 마크 템플턴 합창에 의해 게시. S0.18978. Composed by Mark Templeton for SATB divisi chorus a cappella. Since the dawn of the first century, the text from the gospel of Matthew 6. 9-13, known as the Lordâs Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflà and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lordâs Prayer in their repertoire. Probably the most unheralded version comes from the Beth Gazo, a collection of liturgical chants and hymns of the Eastern Syriac Orthodox Church. The Beth Gazo. The Treasury of Chants. is the Eastern Churchâs equivalent of the Liber Usualis of the Roman rite. The roots of the collection can be traced as far back as the second century with Ephrem the Syriac contributing the bulk of the chants. It is supposed that thousands of chants existed in the original collection, but since they were only passed down through an oral tradition, only 700 or so have survived. Only in the late twentieth century have musicologists begun to preserve these in musical notation. The Abun dâbashâmaiyo. 우리 아버지. is one such chant that has survived. When I set out to compose the Lordâs Prayer for my Compline, I wanted to try something different. I searched until I came across this version from the Peshitta text in Syriac, one of the dialects of old Aramaic. Historians and biblical scholars generally agree that Jesus would have spoken Aramaic. I thought it would be wonderful to compose something using the language, or near language, of Christ. I decided to use the actual chant from the Beth Gazo as my melody. The melody uses the Arabic maqam, Nahawand. نهØونØ. , which is basically a melodic minor scale found so prevalently in music from the Fertile Crescent. The chant is sung like a hymn with four verses repeating the same melody. The only words that are not traditionally used as part of the chant is the title, Abun dâbashâmaiyo. 나는 성가대의 전체을 divisi 전원을 사용하여 마지막 억양 각 구절 전에 intoning 노래의 일종으로이 말을 설정. This meditative and somewhat surreal setting is well suited for any sacred service or for a multi-cultural concert. 마크 템플턴, 1974 년생, 미국 합창 작곡가, 지휘자, 그리고 카운터 테너이다. Templetonâs 음악은 다양한 국제 축제와 ACDA 규칙에 전 세계에 걸쳐 수행 된. 그의 음악 중 일부는 산타 바바라 음악 출판에서 출판되고, 그가 최근에 시작했다 자기 게시. 그는 가르치고 원주의 웨스트 노팅엄 아카데미, 메릴랜드, 미국에서 가장 오래된 기숙 학교에서 그의 아내, 베카, 함께있는. 그는 또한 작동하지 않을 때, 코칭 연주와 축구를보고 즐긴다. 그는 요청에 따라위원회 사용할 수 있습니다. 디지털 인쇄는 언제 어디서나 사용 가능한 인쇄 된 악보입니다. 그냥 구매, 인쇄 및 재생. 가정, 학교, 직장에서 온라인으로 악보를보기 또는 어디에서든지 당신은 인터넷에 연결된 컴퓨터가. 이동 중에도 디지털 악보를 볼 우리의 아이 패드 앱을 사용. 디지털 인쇄로, 당신은 구입 후 곧바로 디지털 악보를 인쇄 할 수 있습니다, 또는 편리한 때까지 기다립니다. 그리고 우리의 소프트웨어 설치는 간단합니다 - 우리는 당신이 어도비 플래시 플레이어, 어도비 AIR 및 시트 음악 플러스 AIR 응용 프로그램을 만드는 간단한 단계를 안내합니다.