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Masterpieces by Serge Lancen.

번역

서지 Lancen에 의해 걸작.

원본

Masterpieces by Serge Lancen. Masterpieces for Band 19. For concert band. Molenaar Masterpieces. CD. Published by Molenaar Edition. ML.311084720. SERGE LANCEN - Serge Lancen was born in Paris on 5 November 1922 in a family of surgeons from father to son. His father was head of the rheumatology ward at the Saint-Antoine hospital. From his early youth onwards, Serge Lancen felt attracted to music while listening attentively when his mother played the classical pieces by Bach, Mozart, Beethoven, Chopin etc. on the piano. All of these classical composers will influence Lancen later. His mother was not only a fine pianist, but also an excellent painter, whereas his father had played the violin in an amateur symphony orchestra. Young Serge never got fed up with listening to the symphonic music concerts that were broadcast every Sunday afternoon and soon he starts learning to play the piano. Not even five years old, he composes a Berceuse. Cradle Song. which will be published much later and which was written down by his mother as little Serge could neither read nor write music yet. When he was eight years old he started studying solfeggio and piano and when he was fifteen, he had written enough piano music in order to give a complete recital with his own compositions. That concert took place at the London Rudolf Steiner Hall in 1937. Later, he studied the piano with Marguerite Long and Lazare Levy as well as composition with Noel Gallon and Tony Aubin at the Paris National Superior Conservatory of Music. In 1950 he was awarded the 'Prix de Rome', the most prestigious reward for a young composer. Several composition prizes will follow. among those several Composition Prizes of the French Broadcasting Union, a Prize of the European Radio Union and Composition Prizes warded by the SACEM, the French copyright society. Serge Lancen composed all kinds of music such as chamber music, works for piano, ballet music, a chamber opera commissioned by the French Radio and quite some symphonic compositions. His rather original style is clearly influenced by the great classical composers he heard so often in his youth. Among his early symphonic compositions we mention the Concertino for Piano. 1949. , the Piano Concerto. 1951. and the Symphonie Legere. 1955. Serge Lancen and the symphonic band. There was absolutely nothing that could make one expect Serge Lancen to become one of the great French composers of original wind band music in the 20th century. Indeed, he had grown up in a musical world that was completely focused on the piano and the strings. The soloists he had heard when he accompanied his parents to the Sunday concerts always were either pianists or violinists. To him, winds only had a function in the orchestra when surrounded by the strings and so, he was completely predestined to become a purely symphonic composer. However, fate decided otherwise. One of his ancient friends at the Paris Conservatory, clarinettist Desire Dondeyne, was appointed conductor of the Paris Metropolitan Police Band in 1954. As Dondeyne wanted to enrich the original contemporary wind band repertoire he not only started composing himself but incited his ancient fellow-pupils to write music for symphonic band. Serge Lancen attended some concerts by this popular wind band and was deeply impressed by the splendid sonorities of the symphonic band with its mass of clarinets, saxophones and saxhorns. Later, he will admit that it was above all the massive sonorous communion of the wind band that attracted him and fascinated him for the rest of his life. For the symphonic composer by training, the upper register of the symphonic band definitely lacked volume and power, but the inventions by Adolphe Sax certainly add exceptional natural colours to the medium and low registers. So it happened in 1960 that Serge wrote a Marche de Concert that he had orchestrated for band by Dondeyne, as he himself was confronted with the huge difficulty of having to cope with the numerous transposing instruments of the symphonic band. A trip to the United States inspired Lancen to write his Manhattan Symphony. 1961-1962. for symphonic band and once more he entrusted the orchestration to Desire Dondeyne. And so he also did with his Symphonie de Noel. 1964. and the suite Festival - Kerkrade. 1966. two other wind band pieces. Serge Lancen discovered the World Music Contest that took place once in four years since 1950 at Kerkrade a small southern Dutch city near the German and the Belgian borders. Serge became a special guest of the World Music Contest since his Manhattan Symphony had been chosen as test piece in the 1st Division in 1966. At the 1970 edition of the WMC, the famous Banda Primitiva of Lliria performed his Mini Symphony in concert, whereas the colliery band DSM played his Manhattan Symphony. In 1974 Serge himself played his Parade Concerto with the Marine Band of the Royal Dutch Navy, in 1978 Cap Kennedy brought the house down as test piece in the 1st Division and in 1981 his Festival Rhapsody, commissioned by the WMC organizers, was the test piece in the 2nd Division. Four years later, still at Kerkrade, Serge played his Concerto de Paris with the Symphonic band of the Maastricht Conservatory of Music and this concert was broadcast on television. Serge Lancen's music was also often on the program of the gala concerts given by prestigious professional wind bands during the consecutive WMC editions. After the Festival - Kerkrade in 1967, Serge Lancen thought he was quite capable of writing himself the symphonic band orchestrations. The Mini Symphonie. 1967. can be considered as his first "complete" composition for symphonic band. Then, still fascinated by this unique sonorous spectrum, Lancen continued to write regularly for symphonic band, especially when he was encouraged by his Dutch publisher Pieter Jan Molenaar who had been impressed by the Manhattan Symphonie at the world premiere by the Musique des Gardiens de la Paix. Paris Metropolitan Police Band. on 29 April 1962 at Argentan. Obsession. 1969. , commissioned by the French Radio for a European composition contest was awarded a First Prize. Next he composed the masterpiece Cape Kennedy. 1969-1970. , a symphonic poem that was immediately very successful even far beyond the borders. Among the numerous wind band compositions. some sixty. we should mention the symphonic sketches Le Mont Saint Michel. 1976. , the symphonic poem commissioned by the French Government Le Chant de l'Arbre. 1979-1980. and Mascarade. 1985. for brass quintet and symphonic band, premiered during the third WASBE world conference in Boston on 20 July 1987. Serge Lancen attended the foundation of the World Association for Symphonic Bands and Ensembles at Manchester in July 1981 and actively supported this organisation for many years. From 1985 to 1991 he was a member of the international board and represented his native country. Besides the already mentioned Mascarade first performed at Boston in 1987, several compositions by Lancen were either premiered or performed at the different WASBE conferences. Festival - Kerkrade was played by the Le Havre Municipal Band, conducted by Claude Decugis, at Skien, Norway on 14 July 1983. the Symphonie de l'Eau was premiered by the Musique de la Police Nationale. National Police Band. , conducted by Pierre Bigot, at Kortrijk, Belgium on 17 July 1985. the Ouverture pour un matin d'Automne was played by the Senior Musicians Band of the Netherlands, conducted by Henk van Lijnschooten at Kerkrade on 20 July 1989, whereas the Manhattan Symphony was played by the Musique de l'Air de Paris. Principal French Air Force Band. conducted by Francois-Xavier Bailleul on 21 July 1989 during the same Kerkrade conference. the Sonate Concertante for clarinet and symphonic band was performed by clarinettist Mark Vertessen and the Lier Concert Band on 14 July 1993 at Valencia, Spain and the Oboe Concerto was played by the same Belgian band. renamed "Concert Band for Flanders". on 8 July 1997 at Schladming, Austria. Serge Lancen has written several concertos with wind band accompaniment. First of all there are the two piano concertos. Parade Concerto. 1971. premiered by Pierre Nimax at the piano and the Esch-sur-Alzette Municipal Band. Luxemburg. , conducted by Georges Wagner, on 6 April 1972. Serge Lancen often played himself that concerto. so he did with Jan Molenaar conducting the United States Air Force Band in Washington D.C. in 1973 and recorded it with Jan Molenaar conducting the Purdue University Symphonic Band that very same year and in 1971 he had recorded it with the Royal Dutch Military band KMK, conducted by Anne Posthumus. The Concerto de Paris was premiered by the composer and the Royal Dutch Military Band KMK conducted by Jan van Ossenbruggen on 25 November 1983 at Zaandam during a concert celebrating the 50th anniversary of Molenaar Edition. Then there are also concertos for different solo instruments with symphonic band. Dedicace. 1974. for alto saxophone solo and wind band was premiered by Jaques Desloges and the Musique de la Police Nationale, conducted by Michel Mariot, during the 4th World Saxophone Congress at Bordeaux, France in 1974. Next to the already mentioned solo pieces, there are also concertos for trombone. 1988. , for French horn. 1991. and for Harp and symphonic band. 1990. All these solo pieces have been recorded by the Symphonic Band of the Brabant Conservatory of Music. The Netherlands. , conducted by Jan Cober. "Masterpieces for Band 3". Molenaar MBCD 31.1016.72. and "Masterpieces for Band 11". Molenaar MBCD 31.1040.72. It is also quite interesting to know that the Oboe Concerto. 1991. was in fact a new version of the Concerto for Harmonica and Symphony Orchestra. 1954. commissioned and also premiered by Larry Adler at the Birmingham Town Hall, Rudolf Schwarz conducting. The composer has always expressed a preference for his religious compositions. The first one he wrote was Poeme Ecumenique. 1975. based on texts excerpted from the Bible. Psalms 8, 23, 100 and 150. , from books of prayers in their original language. Latin, French, Slavonic, Hebrew. and from individual prayers. The finale is the Hymne de Fraternite written by Roger Thirault. This religious composition, premiered in the Notre-Dame Cathedral of Laon on 12 October 1975, is written for symphony orchestra and. or wind band, soloists and choir. The second religious composition is the Missa Solemnis. 1985. for vocal soloist, choir and symphonic band it is dedicated to late Pope John Paul II and was premiered by the Royal Wind Band of Thorn, conducted by Jan Cober, at the Our Lady's Basilica of Maastricht, The Netherlands, on 27 May 1989. Then we have the Te Deum. 1991. for tenor and baritone singer, male choir and wind ensemble. 14 instruments. dedicated to the former Paris cardinal Lustiger. Finally there is the Credo. 1994. for mixed choir and symphonic band, commissioned to be included in the "Missa Solemnis" and premiered in the church "Eglise des Francaises" at Bolzano, Italy, by the choir and wind band of Zwolfmalgreien conducted by Markus Silbernagl on 19 March 1995. Among the later symphonic band compositions by Serge Lancen we should mention Zwiefache Symphonique. 1994. , Hymne aux Musiciens. 1995. , Jour de Fete. 1995. , Jubila. 1996. and the cantata Espaces Harmoniques. 1995. for soloist, mixed choir, children's choir and symphonic band, commissioned by the city of Blois for the commemoration of the diocese. This cantata was premiered at the Basilica "Notre-Dame de la Trinite" at Blois in 1997 Vincent Ries conducting. Some time later, Serge Lancen's health got more and more fragile. He did no longer compose and lived quietly surrounded by the loving care of his wife Raphaelle. He died peacefully on Sunday 10 June 2005 and now rests at the Montparnasse Cemetery in Paris. All those who were lucky to meet Serge regularly were touched by his distinction, his delicacy, his balanced vision and his honesty, characteristics we also find back in his compositions. This 'gentleman of French wind band music' was welcome all over the world when attending premiere performances, concerts, recording sessions or simple rehearsals, everybody appreciating the amiability and simplicity of this great Master who deeply respected the amateur musicians.

번역

서지 Lancen에 의해 걸작. 밴드 19 걸작. 콘서트 밴드. Molenaar 걸작. CD. Molenaar 판에 의해 게시. ML.311084720. SERGE LANCEN - 서지 Lancen는 아버지로부터 아들에게 외과 의사의 가족 1922년 11월 5일에 파리에서 태어났다. 그의 아버지는 생 앙투안 병원에서 류마티스 병동의 책임자였다. 이후 그의 초기 청소년에서 서지 Lancen 그의 어머니가 바흐, 모차르트, 베토벤, 쇼팽 등으로 고전 조각을 재생할 때주의 깊게 들으면서 음악에 매력을 느꼈다. 피아노. 이러한 클래식 작곡가의 모든 나중에 Lancen에 영향을 미칠 것이다. 그의 아버지는 아마추어 오케스트라에서 바이올린을 연주 한 반면, 그의 어머니는 훌륭한 피아니스트뿐만 아니라, 훌륭한 화가뿐만 아니라이었다. 젊은 서지는 매주 일요일 오후에 방송 된 교향곡 음악 콘서트를 듣고 불만을 품고 적이 없어 곧 그는 피아노를 배우기 시작. 심지어 다섯 살, 그는 Berceuse를 구성. 요람의 노래. 훨씬 나중에 발표 될 그의 어머니에 의해 적은 서지를 작성 하였다있는 읽거나 아직 음악을 쓸 수 어느 쪽도. 그는 8 살 때 그는 솔페 지오와 피아노 공부를 시작하고 그가 열 다섯 살 때, 그는 자신의 조성과 완벽한 리사이틀을 제공하기 위해 충분한 피아노 음악을 작성했다. 그 콘서트는 1937 년 런던 루돌프 슈타이너 홀에서 열렸다. Later, he studied the piano with Marguerite Long and Lazare Levy as well as composition with Noel Gallon and Tony Aubin at the Paris National Superior Conservatory of Music. In 1950 he was awarded the 'Prix de Rome', the most prestigious reward for a young composer. 여러 구성 상품이 따를 것. 프랑스 방송 연합 (EU), 유럽 연합 (EU) 라디오 및 SACEM, 프랑스의 저작권 사회 냈습니다 구성 상금의 상을 그 몇 가지 구성의 경품 중. 서지 Lancen은 실내악, 피아노를위한 작품, 발레 음악, 프랑스의 라디오 의뢰 챔버 오페라와 꽤 교향곡 작곡 모든 종류의 음악을 작곡. 그 대신 원래 스타일은 분명히 그는 자신의 젊음에 너무 자주 들어 위대한 클래식 작곡가에 의해 영향을 받는다. 그의 초기 교향곡 작곡 사이에서 우리는 피아노를위한 콘 체르을 언급. 1949. , 피아노 협주곡. 1951. and the Symphonie Legere. 1955. 서지 Lancen과 교향곡 밴드. 하나는 서지 Lancen는 20 세기에 원래 바람 밴드 음악의 위대한 프랑스어 작곡가 중 하나가 될 것으로 예상 할 수있는 절대적으로 아무것도 없었다. 사실, 그는 완전히 피아노에 집중 한 음악 세계와 현에서 성장했다. 그는 일요일 콘서트에 자신의 부모를 동반 할 때 그가 들었던 솔로이스트는 항상 피아니스트 나 바이올리니스트 중 하나 있었다. 문자열에 둘러싸여 그래서, 그는 완전히 순수 교향곡 작곡가가 될 운명 할 때 그에게 바람은 오케스트라의 기능을했다. 그러나 운명은 그렇게 생각하지. One of his ancient friends at the Paris Conservatory, clarinettist Desire Dondeyne, was appointed conductor of the Paris Metropolitan Police Band in 1954. Dondeyne 그가 시작한 자신을 구성뿐만 아니라 원래 현대 바람 밴드 레퍼토리를 풍부하게하고 싶었지만 교향곡 밴드 음악을 쓰기 위해 자신의 고대의 동료 학생들을 선동으로. 서지 Lancen이 인기 바람의 밴드에 의해 약간의 콘서트에 참석하고 깊이 클라리넷, 색소폰과 saxhorns의 질량과 교향곡 밴드의 화려한 sonorities에 감동. 나중에, 그는 그것이 그를 끌어 바람 밴드의 모든 대규모 울려 퍼지는 친교 이상이었고, 그의 삶의 나머지 그를 매료 것을 인정합니다. 교육에 의한 교향곡 작곡가를 들어, 심포닉 밴드의 고음역은 확실히 양과 힘이 부족하지만, 아돌프 색스에 의해 발명은 확실히 중간 및 낮은 레지스터에 뛰어난 자연 색상을 추가. 그래서 서지는 그 자신이 교향곡 밴드의 수많은 전조 악기에 대처하는 데 큰 어려움에 직면하게되었을 때 그는 Dondeyne에 의해 밴드 조율했다 마르쉐 드 콘서트를 쓴 1960 년에 일어난. 미국 여행은 자신의 맨해튼 심포니를 작성하는 Lancen 영감을. 1961년부터 1962년까지. for symphonic band and once more he entrusted the orchestration to Desire Dondeyne. And so he also did with his Symphonie de Noel. 1964. and the suite Festival - Kerkrade. 1966. 두 개의 다른 바람 밴드 조각. 서지 Lancen는 케르 크라 데에서 1950 년 이후 4 년 만에 한 번 독일 근처의 작은 남부 네덜란드 도시와 벨기에 국경을 일어났다 그 세계 음악 경연 대회를 발견. 그의 맨하탄 심포니는 1966 년에 1 조 시험편로 선택했다 이후 서지는 세계 음악 경연 대회의 특별 게스트가 된. 탄광 밴드 DSM 그의 맨하탄 심포니를 연주하는 반면 WMC의 1970 년 판에, Lliria의 유명한 반다 Primitiva은, 콘서트에서 자신의 미니 교향곡을 수행. 1974 년에 서지 자신은, 네덜란드 왕립 해군의 해양 밴드와 함께 자신의 퍼레이드 협주곡을 연주 1978 년 모자 케네디는 1 사단에서 시험 조각으로 집 아래로 가져 1981 년 WMC 조직위원회의 의뢰로 그의 축제 랩소디, 시험편했다 제 2 부문. 4 년 후, 여전히 케르 크라 데에서, 서지 음악의 마스 트리 히트 음악원의 심포닉 밴드와 함께 그의 협주곡 드 파리 재생이 콘서트는 TV에서 방송 된. Serge Lancen's music was also often on the program of the gala concerts given by prestigious professional wind bands during the consecutive WMC editions. After the Festival - Kerkrade in 1967, Serge Lancen thought he was quite capable of writing himself the symphonic band orchestrations. 미니 교향곡. 1967. can be considered as his first "complete" composition for symphonic band. 그런 다음, 여전히 독특한 격조 스펙트럼에 매료, Lancen 그가으로 musique 데 Gardiens 드 라에 의해 세계 초연에서 맨해튼 교향곡에 감동했다 그의 네덜란드 게시자 피터 월 Molenaar 격려했다 특히, 교향곡 밴드에 대해 정기적으로 작성하는 계속 페. 파리 경시청 밴드. 정탱에서 1962년 4월 29일에. 망상. 1969. , 유럽의 작문 콩쿨에 대한 프랑스의 라디오 의뢰는 우수상에게 수여되었다. 다음 그는 걸작 케이프 케네디 구성. 1969년부터 1970년까지. 심지어 멀리 국경을 넘어 바로 매우 성공적이었다 교향시. 수많은 바람 밴드 조성 중. 60 배. 우리는 교향곡 스케치에게 르 몽 생 미셸을 언급해야한다. 1976. , the symphonic poem commissioned by the French Government Le Chant de l'Arbre. 1979년부터 1980년까지. 및 Mascarade. 1985. 황동 중주와 교향곡 밴드에 대해, 1987 년 07 월 20 보스턴에서 세 번째 WASBE 세계 회견에서 초연. 서지 Lancen는 1981 년 7 월 맨체스터에서 심포닉 밴드와 앙상블의 세계 협회의 기초에 참석하고 적극적으로 수년간이 조직을 지원. 1985 년부터 1991 년에 그는 국제 이사회의 일원이었다 그의 모국을 대표. 첫 번째는 1987 년 보스턴에서 수행 이미 언급 Mascarade 외에, Lancen으로 여러 조성물은 하나 초연 않았거나 다른 WASBE 회의에서 수행. Festival - Kerkrade was played by the Le Havre Municipal Band, conducted by Claude Decugis, at Skien, Norway on 14 July 1983. the Symphonie de l'Eau was premiered by the Musique de la Police Nationale. 국립 경찰 악대. 1985 년 7 월 17 일 벨기에 코 르트 레이크에서 피에르 고집통이,,에 의해 실시. the Ouverture pour un matin d'Automne was played by the Senior Musicians Band of the Netherlands, conducted by Henk van Lijnschooten at Kerkrade on 20 July 1989, whereas the Manhattan Symphony was played by the Musique de l'Air de Paris. 교장 프랑스어 공군 밴드. conducted by Francois-Xavier Bailleul on 21 July 1989 during the same Kerkrade conference. 클라리넷과 교향곡 밴드의 소나 테 탄테는 클라리넷 마크 Vertessen와 발렌시아, 스페인, 오보에 협주곡에서 1993년 7월 14일에 리 에르 콘서트 밴드는 같은 벨기에 밴드에 의해 연주되었다에 의해 수행되었다. renamed "Concert Band for Flanders". 슈 라드 밍, 오스트리아 1997 년 7 월 8 일. 서지 Lancen 바람 밴드의 반주에 여러 협주곡을 작성했습니다. 우선 두 개의 피아노 협주곡이 있습니다. Parade Concerto. 1971. 피아노 피에르 Nimax과 에슈 쉬르 알 제트 시립 밴드에 의해 초연. 룩셈부르크. 4 월 1972 년 6에, 조지 와그너에 의해 실시. 서지 Lancen은 종종 자신에게 그 협주곡을 연주. 그래서 그는 1973 년에 워싱턴 DC에있는 미국 공군 밴드를 실시 월 Molenaar했던 바로 그 같은 해 퍼듀 대학교 관악단을 지휘 월 Molenaar로 기록 된 1971 년 그는 실시, 네덜란드 왕립 군악대 KMK로 기록했다 앤 Posthumus로. 협주곡 드 파리 Molenaar 판의 50 주년을 기념하는 콘서트 도중 잔담에서 1983년 11월 25일에 얀 반 Ossenbruggen 실시 작곡가와 네덜란드 왕립 군악대 KMK에 의해 초연되었다. 그런 심포닉 밴드와 다른 솔로 악기를위한 협주곡도 있습니다. Dedicace. 1974. for alto saxophone solo and wind band was premiered by Jaques Desloges and the Musique de la Police Nationale, conducted by Michel Mariot, during the 4th World Saxophone Congress at Bordeaux, France in 1974. 다음으로, 이미 언급 솔로 조각에, 트롬본을위한 협주곡도 있습니다. 1988. , 프렌치 호른을위한. 1991. 와 하프와 심포닉 밴드. 1990. 이러한 모든 솔로 조각은 음악의 브라 반트 음악원 관악단에 의해 기록 된. 네덜란드. 월 Cober 실시. "Masterpieces for Band 3". Molenaar MBCD 31.1016.72. and "Masterpieces for Band 11". Molenaar MBCD 31.1040.72. 그것은 알고도 꽤 재미 있다고 오보에 협주곡. 1991. 사실 하모니카와 오케스트라를위한 협주곡의 새로운 버전이었다. 1954. 의뢰도 버밍엄 타운 홀에서 래리 애들러에 의해 초연, 루돌프 슈바르츠 실시. 작곡가는 항상 자신의 종교 조성에 대한 환경 설정을 표명했다. The first one he wrote was Poeme Ecumenique. 1975. 성경에서 발췌 한 텍스트를 기반으로. 시편 8, 23, 100, 150. 원래 언어로기도의 책에서. 라틴어, 프랑스어, 슬라브, 히브리어. 개인의기도. The finale is the Hymne de Fraternite written by Roger Thirault. 이 종교 구성은 10 월 12 일 1975 년 랑의 노트르담 성당에서 초연 심포니 오케스트라를 위해 작성된다. 또는 바람 밴드, 독창자와 합창단. 두 번째 종교 구성은 미사 솔렘입니다. 1985. for vocal soloist, choir and symphonic band it is dedicated to late Pope John Paul II and was premiered by the Royal Wind Band of Thorn, conducted by Jan Cober, at the Our Lady's Basilica of Maastricht, The Netherlands, on 27 May 1989. 그 다음 우리는 테 데움이. 1991. 테너와 바리톤 가수, 남성 합창단과 바람 앙상블. 14 악기. 전 파리 추기경 Lustiger에 전념. 마지막으로 신조가있다. 1994. for mixed choir and symphonic band, commissioned to be included in the "Missa Solemnis" and premiered in the church "Eglise des Francaises" at Bolzano, Italy, by the choir and wind band of Zwolfmalgreien conducted by Markus Silbernagl on 19 March 1995. 서지 Lancen에 의해 나중에 교향곡 밴드의 성분 중 우리는 Zwiefache Symphonique에게 언급해야한다. 1994. , 음악가에 대한 찬가. 1995. , Jour de Fete. 1995. , Jubila. 1996. 그리고 칸타타 ESPACES Harmoniques. 1995. for soloist, mixed choir, children's choir and symphonic band, commissioned by the city of Blois for the commemoration of the diocese. This cantata was premiered at the Basilica "Notre-Dame de la Trinite" at Blois in 1997 Vincent Ries conducting. Some time later, Serge Lancen's health got more and more fragile. He did no longer compose and lived quietly surrounded by the loving care of his wife Raphaelle. 그는 일요일 2005년 6월 10일에 평화롭게 죽고 지금은 파리의 몽 파르 나스 묘지에 달려있다. 서지는 정기적으로 자신의 구별, 자신의 진미, 그의 균형 잡힌 시각과 그의 정직함에 감동했다 만날 운이 모든 사람들은, 특성 우리는 또한 그의 작곡에서 찾기. This 'gentleman of French wind band music' was welcome all over the world when attending premiere performances, concerts, recording sessions or simple rehearsals, everybody appreciating the amiability and simplicity of this great Master who deeply respected the amateur musicians.