악보

원본

Congaudent angelorum II. not to be confused with Congaudent angelorum III. Anonymous. in the same codex. Anonymous. A cappella. Sacred , Sequence hymn for the Assumption of the BVM.. Language. Latin. SAA.

번역

Congaudent angelorum II. not to be confused with Congaudent angelorum III. 익명. in the same codex. 익명. A cappella. BVM의 가정에 대한 신성한, 시퀀스 찬송가.. 언어. Latin. SAA.

원본

A “sequentia” for the Assumption of the Virgin Mary transcribed from the Trent manuscript tr93. The notes' values, accidentals and colourings are as in the manuscript. The time signature is missing in all the voices, the “tempus perfectum” has been assumed from the context. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. The notes' values within the ligaturæ are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.

번역

트렌트 원고 tr93로부터 전사 성모 마리아의 가정을위한 "sequentia". 노트의 가치, 임시표 및 착색제는 원고과 같다. 박자 모든 목소리에 없습니다, "템퍼의 perfectum은"문맥에서 가정 된. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. 다음과 같이 ligaturæ 내 노트 '값은. 왼쪽 upstemmed 노트 semibreves 있습니다 - unstemmed 노트 breves 있습니다 - 권리 노트 longæ 있습니다 downstemmed. "뮤직 ficta"제안 MIDI 및 MusicXML 파일에.