악보

원본

Membra Jesu Nostri. Dietrich Buxtehude. 2 violins, 2 violas. da gamba. , Basso continuo. II. Ad genua. knees. Complete cantata. CPDL # 18641. Editor. Shigekazu Nimura. submitted 2008-12-23. Score information. A4, 26 pages, 344 kB Copyright. Personal. Edition notes. Concerto Ad ubera portabimini. CPDL # 05543. Capella. Editor. Michael Dreschel. submitted 2003-08-25. Score information. A4, 4 pages, 44 kB Copyright. Personal. Edition notes. Choral parts only. Cappella file is zipped. Voicing. SSATB chorus, SSATB soli. Sacred , Cantata. Language. Latin. SSATB chorus, SSB soli.

번역

Membra Jesu Nostri. 디트리히 북스테후데. 2 violins, 2 violas. 다 감바. , 통주 저음. II. Ad genua. knees. Complete cantata. CPDL # 18641. 편집자. Shigekazu Nimura. submitted 2008-12-23. 점수 정보. A4, 26 pages, 344 kB Copyright. 개인의. 판 노트. Concerto Ad ubera portabimini. CPDL # 05543. 카펠라. 편집자. Michael Dreschel. submitted 2003-08-25. 점수 정보. A4, 4 pages, 44 kB Copyright. 개인의. 판 노트. Choral parts only. Cappella file is zipped. Voicing. SSATB chorus, SSATB soli. 신성한, 칸타타. 언어. Latin. SSATB chorus, SSB soli.

원본

This is a cycle of seven cantatas, and dedicated to Gustaf Düben. The text, Salve mundi salutare is a poem written by Arnulf of Louvain. died 1250. Each of the seven parts pertains to a different part of the crucified Christ's body. feet, knees, hands, side, chest, heart, and head. The structure of each cantata follows the same form. Sonata. Concerto. chorus. Aria. Aria. Aria. Concerto. chorus. In all but the last cantata, the final concerto chorus is simply a repeat of the first chorus. in the seventh cantata, an Amen chorus is subsituted. The "arias" are actually solos, trios, or quintets.

번역

This is a cycle of seven cantatas, and dedicated to Gustaf Düben. The text, Salve mundi salutare is a poem written by Arnulf of Louvain. died 1250. Each of the seven parts pertains to a different part of the crucified Christ's body. feet, knees, hands, side, chest, heart, and head. The structure of each cantata follows the same form. 소나타. 음악회. chorus. 공기. 공기. 공기. 음악회. chorus. In all but the last cantata, the final concerto chorus is simply a repeat of the first chorus. in the seventh cantata, an Amen chorus is subsituted. The "arias" are actually solos, trios, or quintets.