악보

원본

Crescent Moon. Leanne Daharja Veitch. Hand drum. Sacred , Pagan music. SATB and Choral SAB soli.

번역

Crescent Moon. 리앤 Daharja 베이 치. Hand drum. 신성한, 이교도 음악. SATB and Choral SAB soli.

원본

Crescent Moon is by no means a traditional choral piece. My goals as a composer are to return to the roots of vocal music, and to create music that is for the people - music that can be easily understood and identified with, and that speaks to the heart and spirit rather than to the mind. This is the first in what will eventually be a trio of songs dedicated to the moon. The text is original. Crescent Moon was submitted. under a pseudonym. to the ROCS. RMIT Occasional Choral Society. composition competition and won second prize. It was premiered by ROCS on 7th September 2007. To the knowledge of the composer, the piece has been performed in Australia, New Zealand, Hawai'i, USA. mainland, several performances and states. , United Kingdom, South Africa, Brazil, Spain, Germany, South Korea and Mexico. Further performances are scheduled for Australia, Canada, the UK and the USA in 2011. The piece was used in recorder workshops in the UK by composer Steve Marshall in 2011, and a recorder ensemble version is available upon request. The composer appreciates knowledge of performances, and a recording if possible for her own private archives.

번역

Crescent Moon is by no means a traditional choral piece. My goals as a composer are to return to the roots of vocal music, and to create music that is for the people - music that can be easily understood and identified with, and that speaks to the heart and spirit rather than to the mind. This is the first in what will eventually be a trio of songs dedicated to the moon. 텍스트 원본입니다. Crescent Moon was submitted. under a pseudonym. to the ROCS. RMIT Occasional Choral Society. composition competition and won second prize. It was premiered by ROCS on 7th September 2007. To the knowledge of the composer, the piece has been performed in Australia, New Zealand, Hawai'i, USA. mainland, several performances and states. , United Kingdom, South Africa, Brazil, Spain, Germany, South Korea and Mexico. Further performances are scheduled for Australia, Canada, the UK and the USA in 2011. The piece was used in recorder workshops in the UK by composer Steve Marshall in 2011, and a recorder ensemble version is available upon request. The composer appreciates knowledge of performances, and a recording if possible for her own private archives.