악보

원본

Missa Puiskemor. Puisque m'amour. Anonymous. A cappella. Sacred , Mass. Language. Latin. ATTT.

번역

Missa Puiskemor. 이후 나를 사랑. 익명. A cappella. 신성한, 질량. 언어. Latin. ATTT.

원본

Transcribed from the Trent manuscript tr 88. Several errors have been corrected following the transcriber’s own judgement. The time signatures, notes' values, accidentals and colourings are as in the manuscript, the perfect notes and rests have been dotted and ties are used for notes’ values that cannot be exactly represented. The initial time signature is missing in all the voices. the “tempus perfectum” has been assumed from the context. The coloured notes in “tempus imperfectum” as well as the section with a leading "3" are in "proportio sesquialtera". 3 vs. The coloured notes in “tempus perfectum” are "hemiolæ". The three coloured semibreves marked with a “2” are in “proportio dupla”. 2 vs. The notes' values within the "ligaturæ" are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed note are longæ – the unstemmed notes with a double length body are maximæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.

번역

트렌트 원고 TR (88)로부터 전사. Several errors have been corrected following the transcriber’s own judgement. The time signatures, notes' values, accidentals and colourings are as in the manuscript, the perfect notes and rests have been dotted and ties are used for notes’ values that cannot be exactly represented. The initial time signature is missing in all the voices. "템퍼의 perfectum은"문맥에서 가정 된. The coloured notes in “tempus imperfectum” as well as the section with a leading "3" are in "proportio sesquialtera". 3 대. The coloured notes in “tempus perfectum” are "hemiolæ". The three coloured semibreves marked with a “2” are in “proportio dupla”. 2 대. 다음과 같이 "ligaturæ"내 노트 '값은. 왼쪽 upstemmed 노트 semibreves 있습니다 - unstemmed 노트 breves입니다 - 오른쪽 downstemmed 노트 longæ 아르 - 더블 길이 몸 unstemmed 노트 maximæ 있습니다. "뮤직 ficta"제안 MIDI 및 MusicXML 파일에.